Mayonez Heavy Font is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition.

A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case, the uppercase letters adopted a simplified semi-serif structure that works better with the lowercase letters.

Also, the figures are very different from the roman version and follow more faithfully the italic style.

In an attempt to give Cyrillic lowercase Romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the Latin forms.

This type is good for commercial and editorial uses like advertising, packaging, and pages with showy headlines where a warm touch wants to be given.

The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters.

Mayonez Semibold Font is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition.

A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case, the uppercase letters adopted a simplified semi-serif structure that works better with the lowercase letters.

Also, the figures are very different from the roman version and follow more faithfully the italic style.

In an attempt to give Cyrillic lowercase Romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the Latin forms.

This type is good for commercial and editorial uses like advertising, packaging, and pages with showy headlines where a warm touch wants to be given.

The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters.

Mayonez Bold Font is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition.

A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case, the uppercase letters adopted a simplified semi-serif structure that works better with the lowercase letters.

Also, the figures are very different from the roman version and follow more faithfully the italic style.

In an attempt to give Cyrillic lowercase Romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the Latin forms.

This type is good for commercial and editorial uses like advertising, packaging, and pages with showy headlines where a warm touch wants to be given.

The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters.

Mayonez Regular Font is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition.

A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case, the uppercase letters adopted a simplified semi-serif structure that works better with the lowercase letters.

Also, the figures are very different from the roman version and follow more faithfully the italic style.

In an attempt to give Cyrillic lowercase Romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the Latin forms.

This type is good for commercial and editorial uses like advertising, packaging, and pages with showy headlines where a warm touch wants to be given.

The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters.

Mayonez Light Font is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition.

A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case, the uppercase letters adopted a simplified semi-serif structure that works better with the lowercase letters.

Also, the figures are very different from the roman version and follow more faithfully the italic style.

In an attempt to give Cyrillic lowercase Romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the Latin forms.

This type is good for commercial and editorial uses like advertising, packaging, and pages with showy headlines where a warm touch wants to be given.

The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters.

Mayonez Extralight Font is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition.

A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case, the uppercase letters adopted a simplified semi-serif structure that works better with the lowercase letters.

Also, the figures are very different from the roman version and follow more faithfully the italic style.

In an attempt to give Cyrillic lowercase Romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the Latin forms.

This type is good for commercial and editorial uses like advertising, packaging, and pages with showy headlines where a warm touch wants to be given.

The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters.

Mayonez Font is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition.

A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case, the uppercase letters adopted a simplified semi-serif structure that works better with the lowercase letters.

Also, the figures are very different from the roman version and follow more faithfully the italic style.

In an attempt to give Cyrillic lowercase Romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the Latin forms.

This type is good for commercial and editorial uses like advertising, packaging, and pages with showy headlines where a warm touch wants to be given.

The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters.

Solid Ground is a font family of 20 typefaces inspired by the band Saosin. It is named after their album “In Search of Solid Ground” and presented with lyrics from “Worst of Me.” Great for use with album art, logos, and poster art.

*Dismantle Destroy does not claim rights or ownership to the lyrics or albums by Saosin.

Friendly, warm, and quirky, yet with a certain elegance, Pleuf Pro The Complete Font is a hand-drawn rounded serif family with extensive language support and a bunch of OpenType features.

Great for projects which need a handcrafted, homemade, friendly, warm, personal vibe; it’s individualistic without being overly eccentric, and quirky without being illegible.

The clean, delicate lines of the lighter weights convey a graceful elegance without losing warmth.

Features

• Four weights from Light to Bold, with matching obliques for each.
• Extensive language support.
• Contextual alternatives & ligatures to sort out bad letter combinations and achieve better text.
• Discretionary ligatures for more interesting typographic display work.
• Oldstyle & tabular numerals to get the correct setting in text and tables.

A unique poster font. Very dynamic and eye-catching.