Sweet Wanderlust is a fresh take on traditional calligraphy, featuring cute imperfections that add quirkiness and a vibrant, handmade feel to your text.

It is an all-caps font that is bold and expressive but still a little nostalgic – perfect for modern vintage and handmade style projects.

Try it overlaid on photos or as a feature of your branding…it even works beautifully in typography art! The sky’s the limit.

It comes with all the essential glyphs (see example pic 2), plus extras including alternate currency symbols, copyright, and all the accents you need to write in most European languages.

This little gem is so versatile, you’ll surely love seeing all your projects transformed!

The SWEET WANDERLUST FONT includes:

1 TTF file: Sweet Wanderlust – Appropriate for Mac and PC – but different programs do tend to display fonts differently, so for optimal results I recommend playing around with the type preferences/settings in your preferred program.

1 PDF file: Instructions – some helpful hints for working with the font.

Have fun creating hand written text and if you have any questions, just send me a message! I’m happy to help.

Mayonez Black Italic Font is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition.

A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case, the uppercase letters adopted a simplified semi-serif structure that works better with the lowercase letters.

Also, the figures are very different from the roman version and follow more faithfully the italic style.

In an attempt to give Cyrillic lowercase Romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the Latin forms.

This type is good for commercial and editorial uses like advertising, packaging and pages with showy headlines where a warm touch wants to be given.

The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters.

Mayonez Heavy Italic Font is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition.

A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case, the uppercase letters adopted a simplified semi-serif structure that works better with the lowercase letters.

Also, the figures are very different from the roman version and follow more faithfully the italic style.

In an attempt to give Cyrillic lowercase Romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the Latin forms.

This type is good for commercial and editorial uses like advertising, packaging and pages with showy headlines where a warm touch wants to be given.

The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters.

Mayonez Bold Italic Font is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition.

A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case, the uppercase letters adopted a simplified semi-serif structure that works better with the lowercase letters.

Also, the figures are very different from the roman version and follow more faithfully the italic style.

In an attempt to give Cyrillic lowercase Romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the Latin forms.

This type is good for commercial and editorial uses like advertising, packaging, and pages with showy headlines where a warm touch wants to be given.

The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters.

Mayonez Semibold Italic Font is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition.

A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case, the uppercase letters adopted a simplified semi-serif structure that works better with the lowercase letters.

Also, the figures are very different from the roman version and follow more faithfully the italic style.

In an attempt to give Cyrillic lowercase Romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the Latin forms.

This type is good for commercial and editorial uses like advertising, packaging and pages with showy headlines where a warm touch wants to be given.

The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters.

Mayonez Italic Font is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition.

A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case, the uppercase letters adopted a simplified semi-serif structure that works better with the lowercase letters.

Also, the figures are very different from the roman version and follow more faithfully the italic style.

In an attempt to give Cyrillic lowercase Romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the Latin forms.

This type is good for commercial and editorial uses like advertising, packaging, and pages with showy headlines where a warm touch wants to be given.

The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters.

Mayonez Light Italic Font is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition.

A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case, the uppercase letters adopted a simplified semi-serif structure that works better with the lowercase letters.

Also, the figures are very different from the roman version and follow more faithfully the italic style.

In an attempt to give Cyrillic lowercase Romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the Latin forms.

This type is good for commercial and editorial uses like advertising, packaging, and pages with showy headlines where a warm touch wants to be given.

The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters.

Mayonez Extralight Italic Font is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition.

A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case, the uppercase letters adopted a simplified semi-serif structure that works better with the lowercase letters.

Also, the figures are very different from the roman version and follow more faithfully the italic style.

In an attempt to give Cyrillic lowercase Romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the Latin forms.

This type is good for commercial and editorial uses like advertising, packaging, and pages with showy headlines where a warm touch wants to be given.

The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters.