FULL SANS Font is geometric sans in the tradition of Futura, Avant-Garde and the like. FULL SANS Font has a modern streak which is the result of a harmonization of width and height, especially in the lowercase letters to support legibility.

FULL SANS Font is the younger brother of original Full Neue, Full Slab and Full Tools.

Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster, and billboards, small text, wayfinding, and signage as well as web and screen design.

FULL SANS Font TECHNICAL:

FULL SANS Font provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.

The designation “Full Sans LC 50 Book” forms the central point. The first figure of the number describes the stroke thickness: 10 Thin to 90 Bold.

FULL SANS Font LC comes 5 weights and italics also Full Sans SC comes 5 weights and italics total 20 types. The family contains a set of 485 characters.

Case-Sensitive Forms, Classes, and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs.

This demo font is for PERSONAL USE ONLY!.

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Santis Font is a multiface type, special for logos, brands, magazines, and the editorial world. Especially for setting trends in fashion and design.

The particularity of this font is that you can easily read it, even when applying swash type letters. It is a Didot based font. Santis Font’s versatility can harmoniously display a word or phrase.

Santis Font has 1017 glyphs with alternate characters, numbers and ligatures ornaments specially created for a better design. For best results use with Open Type.

Designed by Enrique Hernandez with the technical support of Daniel Hernández.

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Harman Font Family includes Seven fonts and their inline forms that have different styles from each other but at the same time compatible with together.

Harman Font collection is completely hand-made. In addition, Harman Font includes very useful extra elements.

The word “Harman” is a Turkish word meaning the blend in English. Harman Font Family Collection was designed carefully to create the elegant typographic works.

Harman Font would be a perfect choice to design posters, affiches, logos, t-shirt and magazine prints, eye-pleasing typographic designs and more

This demo font is for PERSONAL USE ONLY!.

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Avestrava Tattoo Font is a family of letters from Avestrava. This time the tattoo style is more gothic than Avestrava Regular which tends to be formal.

Of course, Avestrava Tattoo Font will be very suitable for your tattoo studio business, such as for making a logo or tattoo design.

In addition to supporting the design of your tattoo studio promotions such as business card designs, posters, flyers, brochures, t-shirts, stickers, even very good if applied to your social media such as the design of Instagram stories, Instagram posts, your website, etc.

YOU WILL GET :

• Avestrava Tattoo.otf
• Avestrava Tattoo.ttf

Features: Alternate Characters. Ligatures. Discretionary Ligatures. Support Multilingual Characters.

This demo font is for PERSONAL USE ONLY!.

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Retjeh Vintage Font is an all uppercase vintage font which is inspired by western lettering from the industrial and good old past, but it still has a strong modern appearance.

Retjeh Vintage Font allows versatile design options and works perfectly for headlines, logos, posters, packaging, T-shirts, postcards and much more.

Product Content

• Retjeh Regular TTF
• Retjeh Pressed TTF
• Retjeh Lined TTF
• Retjeh Dotted TTF
• Retjeh Rough TTF
• Retjeh Sans TTF

Font Features

• Character set A-Z
• Numerals
• Punctuation
• Multilingual
• Extra 10 Editable Badges

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Saygon Text Font Family is the logical consequence of our CA Saygon (Display) Family. Saygon Text Font is much calmer and therefore also suitable for reading texts and every day’s editorial tasks.

Basic shapes and proportions were adopted from Saygon and continued in such a way that a font family from Thin to Extrabold resulted. A fundamental inspiration was early static grotesque typefaces such as Akzidenz Grotesk.

Nevertheless, the typeface was by no means intended to have a historical look. Thus, a relatively high x-height was chosen, which makes the typeface quite economical in type-setting, since the letters appear visually larger.

A relatively small line spacing with good legibility can be achieved due to the small ascenders and the low cap-height.

Letters like f and t, which otherwise tend to end in curves, were given right angles, which on the one hand meets certain design elements of the original Saygon, but on the other hand, also refers to contemporary trends in typeface design.

A special feature is the five styles in which CA Saygon Text can be used. The default setting is the Helvetica style, with two-story a and g. The Futura style has a single-story and a two-story g accordingly.

The third style with two-story a and three-story g is called the Franklin style. But the real highlight is the Cape style with single-story a and three-story g – a real rarity up to now. Let yourself be inspired by this unusual typeface.

If you like it even more progressive, you should try the flat style, which continues the right angles in a, g, and y as well.

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Herschel Font has been technically constructed to withstand all the rigorous demands that modern technology places on type today.

Herschel Font nostalgic flared, and gently bifurcated serifs shine brightest when employed as display type, but are suited well for any application where an inimitable character is needed.

Herschel ventures into the elaborate world of late 19th-century typography to bring its winsome charm and compelling aesthetics into modernity. Staying true to the spirit of its historical era of inspiration.

Named after designer Brian Brubaker’s maternal grandfather, a retired dairy farmer of more than 60 years, Herschel is available in six delectable weights: Skim, One Percent, Two Percent, Whole, Creamline, and Butter.

Features overview:

• 800+ glyphs per weight
• 120+ stylistic alternates
• Upper and lower case
• Titling/Drop capitals with multiple and contextual ligatures
• Lining, old-style, proportional, and tabular figures
• Standard and discretionary ligatures
• Unique dingbats and special characters
• International language support for 200+ Latin-based languages, including Vietnamese

This demo font is for PERSONAL USE ONLY!.

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Heartless Font is inspired by most of the death metal logos. Heartless Font is great looking, badass, and each character was designed with great competition.

Of course, Heartless Font is very suitable for you that like death metal music, design, your clothing, logo, and many others.

Available in ttf format.

This demo font is for PERSONAL USE ONLY!.

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Averta Font is intended for use in a variety of media. The central styles (Light through Bold) are drawn to perform at text sizes, while the extremes are spaced tighter to form more coherent headlines.

The dynamism of the true italics adds a complementary touch to the whole family and provides extra versatility, making Averta Font an excellent tool for a range of uses, from signage to branding and editorial design.

History

Bringing together features from early European grotesques and American gothics, Kostas Bartokas’ Averta (Greek: ‘αβέρτα’ – to act or speak openly, bluntly or without moderation, without hiding) is a new geometric sans serif family with a simple, yet appealing, personality.

The purely geometric rounds, open apertures, and its low contrast strokes manage to express an unmoderated, straightforward tone resulting in a modernist, neutral and friendly typeface.

Take advantage of Averta’s extended OpenType features including alternate glyphs, small caps, fractions, case sensitive forms, contextual alternates, old style and lining (proportional and tabular) numerals, small cap numerals, numerators/denominators, superiors/inferiors, and a variety of symbols.

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Boring Sans Font designed by Cosimo Lorenzo Pancini, is a typeface family designed along the two-variable axis: weight and weirdness.

These two parameters allow designers to explore a full range of variations on sans serif design, starting from a neutral set of proportions and evolving to a strongly contrasted and dynamic treatment, ready to raise eyebrows on social media.

The basic “A” subfamily, developed in five weights plus italics, behaves like a traditional, solid workhorse sans serif, with finely tuned proportions for optimal readability and minimal emotional impact.

The “B” subfamily, developed in the same ten weights, shows a more contemporary “brutal” approach, with slanted lines, deep ink-traps and stronger contrast.

All these features are brought to the extreme in the ten weights of the “C” subfamily, with each letter a bombastic show of exuberant weirdness.

Each of the style variants is developed in five weight with matching italics, with a glyph set covering extended Latin languages and including many alternate forms and stylistic sets.

This demo font is for PERSONAL USE ONLY!.

Password: BORISGALANYOVCUK1246GFXTRA

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